Stocker says he remembers slogging through an edit of pictures he shot about Judaism in Europe — a project he spent six weeks shooting abroad.
He and another editor, Mary Vignoles, worked tirelessly before presenting an edit to Rasmussen.
"That's when I know we're doing good work, when it makes me feel something."Three of the staff are already working on new year-long projects and one is working on a series of stories about Olympic hopefuls."I don’t believe there isn’t a person who couldn’t mirror Craig's work given the opportunity," he says.
"The whole goal here has been to lift the standards of photography."Could higher expectations be the secret to award-winning photography?
Nearly five years later, Scott remains conflicted by the war.