It was organised by the Friends of the German Film Archive (now Arsenal – Institute for Film and Video Art) founded by Ulrich and Erika Gregor who led the Forum until 2001 and shaped its identity considerably.
It was organised by the Friends of the German Film Archive (now Arsenal – Institute for Film and Video Art) founded by Ulrich and Erika Gregor who led the Forum until 2001 and shaped its identity considerably.The Friends had already organised a separate event in parallel to the Berlinale in 19.Tags: Conjunctions Writing EssayContents Of A Thesis AbstractEssays On Ancient Greek ArtPersonal Narrative Essay Examples High SchoolNatalie Dessay French OperaEssay Buying Home Vs RentingResearch Papers On Mortgage LendersThesis Microcontroller Based
This has led to the creation of a living archive of 10,000 films from around the world which redefines perceptions of film history.
In 2000, the Friends moved with the Berlinale to Potsdamer Platz.
The Arsenal’s daily film programme and the numerous guests involved in them enable co-operations to be forged with all branches of culture, science and society.
By including some of the films from the festival in its range, Arsenal’s distribution arm equally fosters long-term collaboration with filmmakers and artists.
The Arsenal cinema which opened in 1970 in the district of Schöneberg moved to Potsdamer Platz in 2000.
The close connection between the work of the Arsenal cinema and the festival as well as the film archive that developed from that specific collaboration continues today to be the defining characteristic of both the Arsenal as an institution and the Forum and Forum Expanded section.What fits into the programme is defined by the filmmakers’ stance towards their medium rather than the question of what commercial potential a film may have.The cinematic form is never subordinate to the content.The presentation of selected digitisation and restoration projects at the Forum and Forum Expanded also places them within a contemporary cinema context.The heated public discussions which defined the early years of the Forum, when it stood “between the barricades and the ivory tower”, as the title of a book published for its 30th anniversary put it, still play an important role in the film culture and cinematic discourse nurtured by the Forum and Forum Expanded to this day.Today, these texts can be found on the Arsenal website where PDF files of each year’s texts are also archived.The Forum and Forum Expanded also publish a comprehensive brochure comprising information on all the films and works in the programme as well as further in-depth reading and background information.The noughties were marked by an expansion of moving images into the public realm.Digitisation, phone cameras and dissemination on the Internet, as well as the medium of film establishing itself in other art forms, opened the borders of cinema.With around 30 short and feature-length films, a group exhibition, stage and panel events, Forum Expanded provides an open platform for film formats from a broader range of disciplines, including visual art, theatre, performance, music and the media.In combination with the impetus given by politics and society, these works create a discursive framework of a deliberately international character which has the potential to grasp cinema anew and change it in lasting ways.